Closing in February or March
Closing in February
Taylor
Wessing Photographic Portrait Prize 2009.
This
amazing open competition has attracted more than 6,300 submissions
from 2,452 photographers of many nationalities – professionals,
students and amateurs. Working from original prints the judges have
selected 60 portraits for exhibition and chosen four photographers to
be shortlisted for the £12,000 Taylor Wessing Prize: Paul
Floyd Blake, Michal Chelbin, Mirjana Vrbaski and
Vanessa
Winsip. The
Godfrey Argent Award
worth
£2,500 is for the best photographer aged between 18 and 25. In
addition, this year ELLE
magazine will
commission one of the photographers selected for the exhibition to
shoot a feature story.
National
Portrait Gallery, St. Martin's Place, London WC2H 0HE. Tel. +44 (0)20
7306 0055. (Open daily; late Thur & Fri) www.npg.org.uk
5
November 2009 – 14 February.
The
exhibition will tour to The Shipley Art Gallery, Gateshead from 27
March – 6 June 2010; and then to The New Art Gallery, Walsall from
July – September 2010.
On
Horseback! The World of Philips Wouwerman.
More famous and sought after in
his lifetime than Rembrandt and Vermeer, Philips Wouverman (1619 –
1668) although now relatively unknown was an especially successful
painter of horses. This loan exhibition of 33 paintings and ten of
his very rare drawings includes a number of these works as well as
examples of his landscapes and other subjects.
Sponsored
by the Friends of the Mauritshuis and the Johan Maurits Compagnie
Foundation.
Mauritshuis,
Buitenhof 35, The Hague, The Netherlands. Tel. +31 70 302 34 35.
(Open Tues – Sun) www.mauritshuis.nl
12
November 2009 – 28 February.
Henry
Moore Textiles.
Important
exhibition devoted to a little remembered aspect of the work of great
British sculptor Henry Moore: his designs for textiles and fabrics
made in the 1940s for the emigré
Czech
textile manufacturer Zika Ascher. This exhibition comes from the
collections at Moore's former home in Perry Green.
Pallant
House Gallery, 9 North Pallant, Chichester, West Sussex PO19 1TJ.
Tel. +44 (0)1243 774557. (Open Tues - Sun; late Thurs)
www.pallant.org.uk
14
November 2009 – 21 February.
Kienholz:
The
Hoerengracht.
Prostitution is the theme of this installation
and assemblage by American artists Ed Kienholz (1927 – 1944) and
his wife Nancy Reddin Kienholz (born 1943) based on Amsterdam's Red
Light District. An historical perspective will be seen nearby in
Dutch 17th century
works by artists such as Jan Steen and Peter de Hooch.
Supported
by Outset Contemporary Art Fund.
National
Gallery, Trafalgar Square, London WC2N 5DN. Tel. +44 (0)20 7747 2885.
(Open daily; late Fri) www.nationalgallery.org.uk
18
November
2009 - 21 February.
Hendrick
Avercamp: The Little Ice Age.
International
loan exhibition of paintings and drawings by Hendrick Avercamp 1585 –
1634 devoted to his panoramic winter landscapes where a multitude of
small and varied figures enjoy the pleasures and perils of
negotiating the ice on frozen Dutch rivers and canals. Known in his
lifetime as “The Mute,” because of his inability to speak,
Avercamp was probably profoundly deaf and this exhibition provides
the Rijksmuseum with the opportunity to launch a programme for deaf
and hearing-impaired visitors.
Rijksmuseum,
The Philips Wing, Jan Luijkenstraat 1, Amsterdam, The Netherlands.
Tel. +31 20 6 74 70 47 (Open daily) www.ruksmuseum.nl
20
November 2009 – 15 February.
Design
Real. Curated
by Konstantin Grcic, the German-born industrial designer, this is the
first-ever exhibition of contemporary design to be held at the
Serpentine Gallery. It is devoted to mass-produced items including
household products and technical innovations – all seen for the
first time on the market in the past ten years. A dedicated website
www.design-real.com
forms
the exhibition's central resource.
Serpentine
Gallery, Kensington Gardens, London W2 3XA. Tel. +44 (0)20 7402 6075.
(Open daily) 26
November 2009 – 7 February.
Craftivism.
Series
of contemporary art projects “developed by artists and collectives
that work with craft-based traditions and activist practices, and who
employ the tactics of 'craftivism' (combining crafting + activism) to
question and disrupt the prevailing codes of mass consumerism.” An
interesting idea especially if seen in practice.
Arnolfini,
16 Narrow Quay, Bristol BS1 4QA. Tel. +44 (0) 117 917 2300. (Open
Tues - Sun) 12
December 2009 – 14 February.
*The
Conversation Piece: Scenes
of Fashionable Life. This
exhibition is a real delight. As the title suggests, the pictures are
concerned with informal gatherings of families
or friends – all arranged here so as to give the viewer the
opportunity of savouring their contents in detail as well as
marvelling at the technical skills they present, whether this be the
limpid mastery apparent in Gainsborough's portrait of the Duke and
Duchess of Cumberland and Lady Elizabeth Luttrell, or the incredible
detail and formal complexity of Zoffany's great Tribuna of the
Uffizi. The idea of the 'conversation piece' is extended here to
include several of Stubbs's marvellous horse paintings as well as a
number of other works from the Royal Collection illustrating how the
genre originated in the 17th century Netherlands. Also on show are
Landseer's masterpiece of Royal domesticity Windsor Castle in Modern
Times showing Queen Victoria, Prince Albert and the Princess Royal
their eldest daughter painted in the early 1840s, and from the 1630s
a tiny and enchanting composition by Hendrick Pot showing Charles I,
Henrietta Maria and the infant Prince of Wales, the future Charles
II. The illustrated catalogue by the exhibition's curator Desmond
Shawe-Taylor provides much detail about each of the pictures as well
as a fresh and discursive historical introduction to the whole
idea.
The
Queen's Gallery, Buckingham Palace, London SW1. Tickets and
information Tel. +44 (0)20 7766 7301. (Open daily)
www.royalcollection.org.uk
30
October 2009 - 14 February.
Closing in March
Krystof
Wodiczko: The
Veterans Project.
Large-scale
video installation concerned with the experience of war in Iraq
through the memories of soldiers and civilians, reliving the chaos
and confusion both endured.
Supported
by the Polish Cultural Institute, New York.
The
Institute of Contemporary Art, 100 Northern Avenue, Boston, MA 02210,
USA. Tel. +1 617 478 3100. (Open Tues – Sun) 4
November 2009 – 28 March 2010.
Duncan
Phyfe, America's Legendary Cabinetmaker. This
major exhibition is devoted to showing the full range of furniture
made by Duncan Phyffe (1768 - 1854) beginning with his earliest and
best-known examples based on the designs of Thomas Sheraton, up to
the Antique and Grecian styles he adopted in later years.
The
Metropolitan Museum of Art, 1000 Fifth Avenue, New York, NY 10028.
Tel. +1 212 535 7710. (Open Tues - Sun; late Fri & Sat) 30
November 2009 - 7 March 2010.
Enamels
of the World 1700 – 2000 from the Khalili Collections.
The
constantly amazing Professor Nasser D. Khalili has developed his
interests beyond Islamic and Japanese art to make a collection of
enamel work – unrestricted by national or regional boundaries or
that of individual masters.
His
new collection which already comprises more than 1,000 items includes
objects made over the past three centuries from Europe, Russia,
America, the Islamic lands, China and Japan; from these a selection
of more than 300 items has been made to be exhibited in The Hermitage
– for the first time anywhere.
The
State Hermitage Museum, 2 Dvortsovaya Ploshchad, 190000, St
Petersburg, Russia. Tel. +7 (812) 710 90 79. (Open Tues – Sun)
www.hermitagemuseum.org
8
December 2009 – 14 March 2010.
Objects
of Contemplation: Natural
sculptures from the Qing Dynasty. In
17th
century
China small and fascinating rocks became collected – ancient and
natural objects described, perhaps mistakenly in recent times, as
'scholars' rocks. This is one of the questions addressed by this
small exhibition, together with others such as the relationship of
the rocks to their later carved plinths (which can be changed) and
not least: what is it that make an individual rock an item of
sculpture to be cleaned, polished and cherished.
Henry
Moore Institute, 74 The Headrow, Leeds LS1 3AH. Tel. +44 (0)113 246
7467. (Open daily; late Wed) 12
December 2009 – 7 March 2010.
Robert
Mapplethorpe.
Exhibition
of works by the important, and controversial, 20th
century
photographer Robert Mapplethorpe forming part of ARTISTS
ROOMS On Tour with The Art Fund.
The
Artists Rooms collection was established by the dealer and collector
Anthony d'Offay who, concidentally was born in Sheffield, and is now
owned on behalf of the nation by Tate and the National Galleries of
Scotland.
The
Graves Art Gallery, Surrey Street, Sheffield S1 1XZ. Tel. +44 (0)114
278 2600. (Open Mon – Sat) www.museums-sheffield.org.uk
19
December 2009 – 27 March 2010.
Points
of View: Capturing the 19th
Century
in Photographs. The
British Library's first-ever major photographic exhibition traces the
development of photography from its invention in 1839 to the turn of
the century. Some 150 images illustrate how and why it came to be
used – for portraiture, travel, war, science and industry. Among
the earlier photographs are a view in the Himalayas by Samuel Bourne,
1864; another of Hastings from the Beach by Francis Frith, c. 1864; a
photogenic drawing of flowers by William Henry Fox Talbot, c. 1839;
and a dozing hippopotamus Obaysch
taken
in the London Zoo by Don Juan Carlos, Duke of Montizon in
1852.
British
Library, 96 Euston Road, London NW1 2DB. Tel. +44 (0)20 7412 7332.
(Open daily; late Tues) www.bl.uk
30
October 2009 – 7 March 2010.
The
Arts of Islam. Masterpieces from the Khalili Collection.
Some
500 items from the unrivalled Khalili Collection of Islamic Art
ranging in date from the 7th
century
to the early 20th
century,
and geographically from the Far East, Middle East, Northern Africa
and Southern Europe, including manuscripts, pottery, metalwork and
jewellery.
Institut
du Monde Arabe, 1 rue des Fossés-Saint-Bernard,
Place Mohammed-V, 75236 Paris, France. Tel. +33 (0)1 40 51 38 38.
(Open Tues – Sun) www.imarabe.org
6
October 2009 – 14 March 2010.
*especially recommended
Please check opening times and days before travelling any distance.
www.artnewsletter.com
February/March
2010